Sherlock Holmes

Title : Sherlock Holmes
Actor :Robert Downey Jr., Jude Law, Rachel McAdams, Mark Strong, Eddie Marsan
Director :Guy Ritchie

Editorial Reviews : Guy Ritchie (Snatch, RocknRolla) attempts to reinvent one of the world's most iconic literary figures as an action hero in this brawny, visually arresting period adventure. Robert Downey Jr. is an intriguing choice for the Great Detective, and if he occasionally murmurs his lines a pitch or two out of hearing range, his trademark bristling energy and off-kilter humor do much to sell Ritchie's notion of Holmes. Jude Law is equally well-equipped as a more active Dr. Watson he's closer to Robert Duvall's vigorous portrayal in The Seven Per-Cent Solution than to Nigel Bruce and together, they make for an engaging team. Too bad the plot they're thrust into is such a mess a bustling and disorganized flurry of martial arts, black magic, and overwhelming set pieces centered around Mark Strong's Crowley-esque cult leader (no Professor Moriarty, he), who returns from the grave to exact revenge. Downey and Law's amped-up Holmes and Watson are built for the challenge of riding this roller coaster with the audience; however, Rachel McAdams as Holmes's love interest, Irene Adler (here a markedly different character than the one in Arthur Conan Doyle's "A Scandal in Bohemia"), and Kelly Reilly as Mary Morstan, the future Mrs. Watson, are cast to the wind in the wake of Ritchie's hurricane pace. One can imagine this not sitting well with ardent Sherlockians; all others may find this Sherlock Holmes marvelous if calorie-free popcorn entertainment, with the CGI rendering of Victorian-era London particularly appealing eye candy.

by Paul Gaita : Amazon.com

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Iron Man 2

Title : Iron Man 2
Director : Jon Favreau
Actor :Robert Downey Jr., Don Cheadle, Scarlett Johansson, Gwyneth Paltrow, Sam Rockwell, Mickey Rourke

Theme :With the world now aware of his dual life as the armored superhero Iron Man, billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government, the press, and the public to share his technology with the military. Unwilling to let go of his invention, Stark, along with Pepper Potts (Gwyneth Paltrow), and James "Rhodey" Rhodes (Don Cheadle) at his side, must forge new alliances and confront powerful enemies.
Robert Downey Jr was the best reason to watch the first Iron Man film since he seemed to slide into the role of Tony Stark so flawlessly and effortlessly. RDJ is just as amusing and fun to watch in Iron Man 2. If there were any doubts left over from RDJ's portrayal of Tony Stark from the first film, they're inevitably washed away with his convincing performance in the sequel. Newcomers Mickey Rourke, Sam Rockwell, and Scarlett Johansson are just as impressive. Rourke has been on an incredible streak since The Wrestler and puts in another solid performance here. His Russian accent is pretty spot on and he shows a wider range of emotion than you may not be expecting. Rockwell has been on my "actors to keep an eye on" radar since Confessions of a Dangerous Mind. I thoroughly enjoyed his smarmy performance as Hammer, who has all of the tools at his disposal to make as big of an impact on the world as Tony Stark has only to wind up falling short in the long run. The flirting between Tony and Johansson's Natalie Rushman is pretty captivating, but her crowning achievement is her fight scene in the latter half of the film that practically steals the show. Don Cheadle does have a few humorous one-liners and is great as War Machine, but doesn't really add anything that Terrence Howard already established with the role in the first film. It's slightly disappointing since Cheadle is known for his strong acting roles, but may be a result of the way the Capt. James Rhodes character was written for both films.

Iron Man 2 is an extremely satisfying sequel on all accounts. While the original film is probably slightly better, the sequel does everything right and doubles up on everything in comparison; action, strong characters, teases for upcoming Marvel films, etc. Despite some of its early negative criticism, Iron Man 2 delivers a worthwhile sequel with a fantastic cast and spectacular action.

>> by www.imdb.com/title/tt1228705/

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Saving Private Ryan

Title : Saving Private Ryan
Actors : Matt Damon, Tom Hanks, Edward Burns, Tom Sizemore
Directors : Steven Spieberg

Theme : Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944. --by Amazon.com

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Avatar

Title : Avatar

Actors : Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Rodriguez, Stephen Lang

Directors :James Cameron

Theme : James Cameron followed up his unsinkable Titanic with Avatar, a sci-fi epic meant to trump all previous sci-fi epics. Set in the future on a distant planet, Avatar spins a simple little parable about greedy colonizers (that would be mankind) messing up the lush tribal world of Pandora. A paraplegic Marine named Jake (Sam Worthington) acts through a 9-foot-tall avatar that allows him to roam the planet and pass as one of the Na'vi, the blue-skinned, large-eyed native people who would very much like to live their peaceful lives without the interference of the visitors. Although he's supposed to be gathering intel for the badass general (Stephen Lang) who'd like to lay waste to the planet and its inhabitants, Jake naturally begins to take a liking to the Na'vi, especially the feisty Neytiri (Zoë Saldana, whose entire performance, recorded by Cameron's complicated motion-capture system, exists as a digitally rendered Na'vi). The movie uses state-of-the-art 3D technology to plunge the viewer deep into Cameron's crazy toy box of planetary ecosystems and high-tech machinery. Maybe it's the fact that Cameron seems torn between his two loves--awesome destructive gizmos and flower-power message mongering--that makes Avatar's pursuit of its point ultimately uncertain. That, and the fact that Cameron's dialogue continues to clunk badly. If you're won over by the movie's trippy new world, the characters will be forgivable as broad, useful archetypes rather than standard-issue stereotypes, and you might be able to overlook the unsurprising central plot. (The overextended "take that, Michael Bay" final battle sequences could tax even Cameron enthusiasts, however.) It doesn't measure up to the hype (what could?) yet Avatar frequently hits a giddy delirium all its own. The film itself is our Pandora, a sensation-saturated universe only the movies could create. --Robert Horton Amazon.com

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